About
Raheel Khan (b. 1992, Nottingham) is a London-based artist & composer working in installation, performance & text. His practice considers constructed environments where sound and objects converge, forming landscapes that reflect on design infrastructures and their containment of communal memory. Khan’s work is guided by a compositional and research framework that abstracts the terms machine, devotion and acoustic, into themes addressing policy, time-loops, mystics, religion and frequencies. Drawing from lived experiences and collective consciousness he treats his sound work in galleries as resonant forms, primarily working with electroacoustic and vibrational sensibilities. Sculptural installations and assemblages are often made from reclaimed material sourced from people and places, and are staged to consider and reconsider our relation to product, belongings and object histories.
Recent presentations and performances have been at Goldsmiths CCA, London (2025); Bold Tendencies, London (2025); Nottingham Contemporary, Nottingham (2025); Auto Italia, London (2025); South London Gallery, London (2024); Lisson Gallery and Bomb Factory Art Foundation, London (2024); Palmer Gallery, London (2024); Longsight Community Art Space, Manchester (2024); Deptford X, London (2023); Ovada Gallery, Oxford (2023); Whitechapel Gallery, London (2022); Manchester Art Gallery, Manchester (2022); Tramway Gallery, Glasgow (2021); Edinburgh Sculpture Workshop, Edinburgh (2021). Khan is the recipient of the Almacantar Studio Degree Show Award (2024) and Goldsmiths Alumni Award (2025), was nominated for Frieze Artist Award (2025) and was shortlisted for Arts Foundation Futures Award (2025). Khan previously graduated from BA Economics at Manchester Metropolitan Business School
Gray Wielebinski (b. 1991 Dallas, TX, USA) lives and works in London, UK. His practice is interested in the role that power plays in historical and contemporary forms of myth-making and narratives and how this intrinsic power dynamic affects how we conceive of ourselves, others, and the world around us. Wielebinski works in a variety of mediums, incorporating drawing, installation, sculpture, performance, video, conceptual research and more. The process of collaging runs through his practice in many forms – reconfiguring and transforming iconography and visual codes that interrogate dominant frameworks and belief systems and propose alternatives. His recent work focuses on surveillance, strategy, and secrecy, particularly as these intersect with questions of gender, sexuality, and the social.
Recent exhibitions include: group shows at Phillida Reid, London, UK; Hauser & Wirth, Somerset, UK; Goldsmiths Centre for Contemporary Art, London, UK; Francois Ghebaly, Los Angeles, CA; Gio Marconi Gallery, Milan, IT; Bold Tendencies, London, UK; Recent solo exhibitions include: Wielebinski’s first institutional solo exhibition The Red Sun is High, the Blue Low at ICA London, Fratricide at Anat Ebgi and the Tom of Finland Foundation in Los Angeles, CA, Love and Theft, 12.26 Gallery in Los Angeles, CA; Oil and Water, Hales Gallery in London.
